Saturday, March 28, 2020

Practicing Product Shots


Some things to note:
  • All pictures were taken using the camera on my phone. 
  • There is no post production done to the images aside from the watermarks. 

Product 1: Perfume Bottle

For my first product shot, I used a glass product. The subject is a perfume bottle I had lying around. I placed the perfume bottle on a black drawer. I didn't have any perspex, however the black glass I had lying above my drawer, worked just fine. 



As seen from the image, I opted for  a bright field lighting. The setup is fairly simple - with a single light source from behind the subject, the image below was the result of this. 



I'm quite happy with the warm grey gradient of the background. However there is a bit too much shadow on the bottom left of the image. That was the result of the lamp behind not being positioned properly which is something to keep in mind. Another aspect of the image I will need to change in post production is the hole on the glass surface (left side). Otherwise I'm quite happy with how the perfume bottle is lit.



For this next image I introduced another subject to the image (the daisy) and the a secondary light source. I found the secondary light source necessary to illuminate the daisy as it looked quite dull in contrast to the perfume.


The secondary light source I used is a large standing lamp at the back of the room. Fortunately it did the trick on illuminating the daisy.


I wanted to use a shiny background that responded to the light. So for this image I held a selfie stick with my phone on it so it wont slip out of my hands when I held a lamp on the other hand. The image below is a rough example of the setup, however the light source is shining on the top left side.



Product 2: Ceramic Pony




Similar to the initial perfume bottle photograph I used a single light source from behind to light the pony in a spotlight fashion.



In this image I added a secondary light source on the left hand side. Unfortunately the image didn't turn out so well. I feel like the pony in not in complete focus and the glare on its face is not very pleasant.

Here is the set-up I  used.



Product 3: Glass Ornaments


Again, with these ornaments I had one light source from behind and I'm quite happy with the result and the reflection it produced. 


Extras

The following are a sample of images I made using the exact same methods as above. The only difference is I change the color of the light using the remote you may have seen in any of the set-up pictures. I also increase/ decreased exposure on my phone to create different effects with the colors. 





Thursday, March 19, 2020

Commercial Photography Research




Lindsay Adler Photography
This cleverly crafted piece was done by renowned fashion photographer Lindsay Adler. What I like most about this piece is the flowing motion that the leading lines of the dress create. They draw the viewer to the subject in the middle.  In addition, the flowing strands of the dress give the impression of a blooming flower, as if the flower (subject) is waking up (emphasized by the subject's  delicate and subtle arm-stretching gesture) which could also signify the beginning of the season of  spring. This creates an effective product shot for the suggested spring line.




Yet another photograph that breaks the rule of thirds but really you don't want it any other way. The innocence  and wonder of the little girl creates an evocative mood of Christmas and everything it stands for. The white light that highlights the sides of the girl's figure produces a mini halo effect and accentuates the white coat underlining the child-like innocence int this Christmas setting. It is a hopeful image emphasized by the way the girl clutches the  teddy bear and gazes upwards at the tree. Although the usual star is missing, the pattern of  carpet the below makes up for that.  Overall the image sparks warmth within the viewer making it an effective seasonal commercial photography of the hotel lobby.  




This is a really good photograph. Not only does the food look delicious, but the manner in which it is presented especially creates a homely vibe. The wooden dish in which the food is placed on also has a bit of rustic effect. There is a nice depth of field of the bar. The choice of yellow light helps with presentation as they complement the warm golden and browns of the dish. They also highlight the crusty texture of the chicken and chips which appeals to the senses of the viewer. 

Tuesday, March 10, 2020

Headshot Test




Camera Settings
ISO: 100
Aperture: f/8
Shutter Speed: 1/125s 

Studio Soft Box Lighting

Key: f/8  - Ratio 8:1
Fill: f/2.8 
Background: f/11 - Ratio 2:1


Practice Run




 Test Submission


Tuesday, March 3, 2020

Headshot Homework Assignment




Headshot Homework Assignment


Photographer: Jimmy Nelson
Subject: Erchebulat, 
Ethnicity: Kazakh, Sagsai,
Place: Bayan-Ӧlgii province, Mongolia
Year: 2017





  1. Pride
  2. Harmony
  3. Tradition
  4. Lineage
  5. Naturalist
  6. Dignified
  7. Spirited
  8. Discipline
  9. Purpose
  10. Determination
  11. Conviction
  12. Hunter
  13. Survivor
  14. Tenacity
  15. Wild
  16. Strength
  17. Connected
  18. Integrated
  19. Stability
  20. Powerful
  21. Indigenous
  22. Ancestry
  23. Rustic
  24. Independent 
  25. Free